It takes a certain kind of man to shoot someone in a bar fight. It takes a whole different type of man to 'fess up, surrender himself to the police, make bail and show up the next night to play an in-store show asking his fans to pray for him. But that's Billy Joe Shaver for you. The 2007 event may scream the ending of a Lifetime movie even though it's just one side of the singer, songwriter and country music renegade.
He's been making music for over 35 years and is responsible for songs such as "Live Forever," "Way Down Texas Way," "I Been to Georgia on a Fast Train," "Old Chunk of Coal" and "Old Five and Dimers Like Me."
His tunes have been covered by everyone from legends like Johnny Cash and Willie Nelson to more contemporary artists like Widespread Panic, Nanci Griffith and Alison Krauss.
Even without the shooting in Lorena, his life is a story worth telling. Born in Corsicana and now living north of Austin in Waco, he's spent most of his life in Texas. After being in the Navy and trying work as a rodeo clown he worked in a lumber mill where he lost two fingers on his right hand in an accident.
He married his wife Brenda in 1963. They had a son, Eddie, who before his death of an overdose was a renowned guitarist and member of The Shavers with his father. BJ and Brenda divorced, and remarried three times.
He eventually got a songwriter job in Nashville and the attention got him a record deal of his own.
The losses of Brenda in 1999 to cancer and Eddie in 2000 were difficult, but Shaver himself almost died in 2001 when he had a heart attack on stage. After successful heart surgery he went back to music and has released five albums since including the Grammy nominated Everybody's Brother in 2007.
Check out both the vintage Shaver on Old Five and Dimers Like Me and Honky Tonk Heroes and the more recent The Real Deal, Storyteller and Everybody's Brother.
Enjoy the songs and as Billy Joe would say in the phrase he lent to Kinky Friedman's gubernatorial race, "may the God of your choice bless you."
I would like to introduce you to Sepiatone. A duo from Sicily who’s sound is airy and jazzy. Their new album, “An Introduction To Sepiatone” is their first US album- they have released two other albums in Europe.
This album is a true introduction as it contains some songs from their previous releases. The songs on the album flow right into another. The combination of trip-hop, chill-out and jazz along with Marta Collica’s voice is just brilliant.
The album opens with “Sunstroke”. The sounds of the beach echo all around and reminds me of carefree summer days.
I just love “New World” “Green House” and “Darksummer”. The dramatic tones and simple background effects remind me so much of Portishead.
In listening to the album I found it to be beautiful as each song has its own characteristics. I hope this is not the last we hear from this promising act.
Imagine a female version of the Postal Service, with a twist of 80s New Wave….. picture it…. Yep, I’ll bet Firefox AK popped up in your mind. If it didn’t, it should have. “If I Were A Melody,” Firefox AK’s grammatically correct new offering combines the sweetness of female-fronted pop, with the electro-aggressiveness of industrial.
“Where Are We Going,” the albums lead track, starts off slow, and breaks into a chorus that’s as catchy as a bear-trap, and is followed by the up-beat “Once I Was Like You.”
“Winter Rose (featuring Tgr Lou),” an aggressive techno-bopper blends Stabbing Westward-influenced synthesizer with Euro-pop.
“Flutter Of A Wing” is a dark, brooding, and ambient synth ballad that puts any emo or indie wannabe band to shame. “The River” follows suit with “Flutter Of A Wing,” equally brooding, but slightly upbeat due to the airy underpinnings of piano and synthesized percussion.
“Pushing,” “A Faint Idea,” and “All I Hear,” flow seamlessly into one another, providing an ambient journey through sound. “All I Hear” is also a male/female duet… pretty cool. “All I Hear” fades into “Shero,” another dark and brooding song.
The pop-infused “Lucky” blends the celtic nature of U2 with the aggressiveness of Nine Inch Nails, a beautiful recipe for ambient dreamscapes.
“Everytime I Ride My Bike” closes the album with a bang. Althought I have no urge to ride my bike, I do however have the urge to buy this album… and so should you!
A lot of “isms” threaten to tear modern society apart at the seams: sexism, racism, extremism, radicalism, terrorism and more. In such an era of decay (moral, societal and otherwise), perhaps an apocalypse wouldn’t be such a bad idea – at least that’s how Andre Mistier sees it.
The charismatic lead singer and songwriter for the New York-based quartet ism describes his band’s potent blend of rock and electronica as “music for the party at the end of the world.”
After all, not all “isms” are bad: Altruism, activism and heroism could help make the next world a better place, and there’s no reason we can’t start practicing them right now.
Urgency, ism’s sophomore album on STM Records, poses unflinching questions about the human condition in songs equally as bold in construction. Smart, melodic and hypnotic, Urgency builds on the solid foundation of 2006’s critically acclaimed Monkey Underneath with 14 tracks produced by Joe Blaney (The Clash, Tom Waits, Prince).
Along with Mistier on guitar, ism’s other skilled members are the passionate Mike Higgins on drums, fret master Gerard Toriello on lead guitar, and effects wizard Leigh Battle on bass. Behind the scenes, legendary A&R guru Michael Caplan served as patriarch of the project, assembling an impressive production team that shaped the final recording.
On the road supporting Monkey Underneath, band members began to flip the script, taking their focus away from standard musical sensibilities. An industrial rumble and a resonant electronic soundscape gradually became the base of their live sets, with the more organic instruments (guitar, bass, drums) better integrated into the mix. That sensibility – and the many new songs that were honed on tour – became key as ism re-entered the studio for Urgency.
Mistier isn’t shy about kudos for his bandmates, who use his lyrics and basic song structures as jumping-off points for their own abilities. He credits Battle’s unique technique with much of Urgency’s atmosphere: “Leigh puts a bunch of different guitar-pedal effects on the bass, but then also does things where he can mute the bass signal itself, so you just hear the effects. They resonate differently on a bass than they do on guitars, so it ends up sounding like a lot of weird keyboard sounds.” Behind the drum kit, Higgins is the “heart” of ism, “a very powerful performer – the kind of drummer who stands up in the middle of things and sings along.” And Toriello, a not-so-secret ‘80s metalhead, proves time and again to be “a craftsman of the guitar – he has a great feel for taking an idea for a guitar line and making it go much further than it has before, to a place I never would have thought of.”
Put them together in the same studio, and Urgency practically crackles with energy. After the UFO-like takeoff “0:32” – one of the album’s three instrumental pieces – “Urgency” the title song has Toriello front and center, throwing out U2-like riffs. In a voice that mixes both dread and redemption, Mistier calls down the end of days: “If you wondered what you’re made of / Now’s the time to see / Bring on Apocalypse / And we will feel alive today / If we were standing on the edge / We just might find that we believe.”
“Give It Back” is a forceful, foot-stomping plea to reclaim the present, framed by a prisoner of the past and future who longs for escape. In “Animadversion,” club beats and eerie effects drive a fuzzed-out examination of how those without self-awareness (including a certain Oval Office occupant) are dragging us all down. ism dips into Radiohead territory with the simmering ballad “Fly,” which asks why society isn’t doing its job to uplift us. “Sacred Cows,” a call to arms for those stuck in autopilot, churns and roils over Higgins’s rock-steady drumming until it reaches a chaotic, all-in catharsis of noise. “The Only One,” its arrangement echoing Downward Spiral-era Nine Inch Nails, is about making connections when we are all truly alone inside our own heads. The album wraps up on a different note with “Resistance Lullaby”: A string section gives a quieter, lusher sound as it ponders the “real world” after college and urges young people to stay true to themselves.
Urgency’s themes of isolation, yearning and rising above ourselves are woven throughout the album– it’s a cohesive vision that you just can’t get from a single-song download on iTunes. That ism can wrap its philosophical musings around songs that can stick in your head and can make you dance … well, that’s versatility… dexterity. Not “isms” but in this case, we’ll make an exception.
Jury Selection Begins In R. Kelly Case Jury selection began Friday in Chicago in the case against R. Kelly who is charged with 14-counts of children pornography. The case has been in the process for over six years and the defense has filed more motions to delay the trial further. The challenge for both sides is to find a group of 12 women and men who are impartial as the details surrounding this case and sex tape have been available to the public. If convicted, Kelly faces 15 years in prison, $100,000 fine and he must register as a sex offender.
Snoop Dogg Makes A Video With Willie Nelson Snoop Dogg has shot a video with Willie Nelson for the single “My Medicine”. Snoop called Willie “his solider” and said he enjoyed working with the country legend. The video was shot in Amsterdam and Nashville.
Details For Snoop’s Upcoming Album Snoop told MTV news that he is starting to working on a new studio album tentatively titled “Malice In Wonderland”. Snoop said he was inspired by a session he had with Lalo Schifrin (a famous composer- works include the Mission Impossible TV theme).
The Roots’ eighth studio album debuts in the number one spot. Rick Ross’ Trilla is still holding strong in the second spot. Lil’ Mama’s debut album VYP: Voice Of The Young People comes in at number three thanks to the success of the first single “Lip Gloss”. Trina and Lil’ Mama are the only female rappers in the top ten.
CWG: What's the most unusual project you've worked on?
I am a black female who does hard rock and heavy metal. But a few years ago, I was poached by a well known record label to perform a hit song in a different genre under an alias and in disguise and I played some high profile shows. It was a good laugh, but, eventually I had to let it die.
CWG: If you could do one thing to make the world a sexier place, what would it be and why?
Make black women proud of their natural hair- somewhere along the line we were told that black hair is undesirable and unattractive and that's unfortunate.
CWG: What artist are you currently listening to?
Gojira- evil prog death metal from France
CWG: What was the worst date you ever went on?
I actually never "went" on it- he stood me up because his family didn't approve of him dating out of his race.
CWG: Favorite place to hang out in L.A.?
Wherever my friends and I happen to be.
CWG: What's your guiltiest pleasure?
I don't feel guilty about things that give me pleasure.
Earth, you bitch. You're such a filthy whore, Earth. You dress like a slut, with your skimpy little ozone layer. It's like a planetary striptease, and you’re taking it off Little by little. It’s funny, ‘cause the more you strip, the hotter I get. Oh, you’re getting me so hot, Earth! I have an Oedipus complex bad for you, Mother Earth. I just don’t like sharing you with trillions of others. But I know you saw me staring at the Sun the other day, Earth. Yeah, you caught me! I love the Sun, too! She lights up my life. She’s way hotter than you, Earth. You could call me solar-powered, because she turns me on. Yeah, I had a fling with the Moon, too. But she was a lunatic. There was always that time of the month When there’d be this side of her… And where it seemed like she was hardly there at all. I think she was seeing Earth behind my back.
Common To Star In New Terminator Film Rapper Common will have a role in the new Terminator films starring Christian Bale. Common will play a freedom fighter named Barnes. Look for the film around May 2009. For you Common fans, he is dropping “Invincible Summer” in July. Also, Common is in Street Kings (which was released April 11th) and is in the new Angelina Jolie film “Wanted” coming out June 27th.
Amy Winehouse Arrested For Drugs In London Amy Winehouse was arrested today in London in connection with a video that came out in January showing Amy smoking crack cocaine. After an investigation, Amy was bought in for questioning. Amy was released after posting bail. Police said that Amy is fully cooperating with their questions.
Mark Ronson To Join Jay-Z On His UK Tour Producer and DJ Mark Ronson has worked with Amy Winehouse and Lilly Allen, will now join Jay-Z on his UK tour. Jay-Z said that "There's an amazing vibe and energy in the UK. I'm looking forward to seeing my UK fans again."
The Antarcticans new album (INHUMANCENTRIC) listening party & video premier for "The Ghost of The Trees and The Erase of Man" 5/2/08 Laemmle Playhouse Seven Pasadena
Last Friday I made the treacherous journey into Pasadena to watch the premier of The Antarcticans new music video, co-directed by Jimmy Fusil and Tom Cabela - both of Bloody Robots fame.
I didn’t know what to expect, as I had never heard a single note of music by The Antarcticans. Also, my last trip to Pasadena was less than I expected it to be and I wasn’t looking forward to going back. (The company I kept is excluded from that last statement… and was the only reason the day was salvageable.)
I thought the video was a great visual success. I would have been really angry and started throwing things at the screen if it had not been, as an entire portion of my core group of friends missed my Magic Castle birthday party extravaganza last year to shoot it. You are excused THIS TIME boys… I better get LOTS of presents this year.
I feel like I am always scared walking into artistic endeavors of friends. I’m always frightened that it’s going to be sub-par and that I will have to make up clever compliments so that I can squeak by without lying and yet not hurt anyone’s feelings. “Wow. You really worked out the lighting… I LOVED the dramatic shadows you achieved.” I didn’t need to be worried this time. Jimmy is a perfectionist (some might say “musical snob” – but you didn’t hear it from me) and the last video that Tom directed (The Colorforms: Nothing Can Come Between Us) was incredible.
The Antarcticans deserve another listen from me. I have to admit I didn’t love the music… I also have to admit that was falling asleep during the “album listening” portion of the event, as the flashing lights below the screen were forcing me into a hypnotic trance lulling me towards slumber. The Antarcticans are an instrumental band full of dissonant chords that demand my full attention sometime soon. I will not write them off. I promise. I am very curious about a live show. Very curious indeed. They don’t call me “The Curious Ghost” for nothing. Oh wait, no one calls me that. But maybe they will start. When they find out just how curious I am.
Congratulations boys! Hip hip hooray! MORE VIDEOS PLEASE!
"The Ghost of The Trees and The Erase of Man" coming soon to a YouTube near you.
Covered in peace signs and tattoos, Carolyn Wonderland looks like the modern day Janis Joplin. Well, maybe a red-headed, shorter version of Janis. It doesn't matter. The point is she's got a set of pipes that blows you away.
Although her vocal styling and physical appearance is similar to that of her fellow Texan, Carolyn's got her own distinctive sound.
She could easily get away with just being a singer, but she's really just the goddess of multi-instrumentation. She plays the trumpet, the guitar, the mandolin, the piano and the accordion.
When she lived there, the folks over at the Houston Press were giving her well-deserved awards like Halloween candy, so she's getting some recognition. It's still not enough. She's one of those Bonnie Raitt-types, the artists who build an amazing body of work before the rest of the world finally takes notice.
She's not "blues" or "country" or "rock" or any other arbitrary label or genre that musicians gets shoved into. No, if you had to categorize her it'd be something like "rocknjazzbluesycountryroll," she's just that versatile.
Her latest album, "Miss Understood" came out earlier this year, and is the seventh album she's released. Of course she's generous with her talent and has made appearances on a multitude of other artist's albums. She's been in a variety of bands, the Imperial Monkeys, Sis DeVille, Jerry Lightfoot's Band of Wonder, and the Loose Affiliation of Saints and Sinners.
Originally from Houston, she's landed in Austin or "the land of free guitar lessons!" as she puts it. When she's not recording, she spreads her time between touring (she calls it the "perpetual tour") and promoting peace (Recently she headlined at the Million Musician March for Peace in Austin) and making YouTube videos (She's got one introducing "Patty" her main guitar and the other instruments she plays.)
So before she gets famous and it's impossible to get tickets to her sold out show, do yourself a favor and get out to see her. If she's not coming near you and you can't drop everything to follow her at least pick up a copy of Miss Understood and if you can find them Bursting with Flavor and Plays with Matches.
When The Bravery came out, they were named “New York’s Official Next Big Thing” by the Village Voice. As their career as progressed, they were compared to The Killers and the band did suffer because of that. As similar as The Killers and The Bravery are, their styles are very different. The Bravery’s second album is cross of new wave and rock, but they stay true to their sound.
“Split Me Wide Open” sounds like an unreleased cut by The Cure.
“Tragedy Bound” about a girl who was abused by her father and even after his death is still living a damaged life. The telling lyric “I'm starting to suspect she likes abuse” is just so telling. It is a very hard song to listen to.
My favorite tracks are “Believe” and “Time Won’t Let Me Go”. My favorite verse of the whole album comes from “Believe”. “So give me something to believe/cause I am living just to breathe/and I need something more/to keep on breathing for/so give me something to believe”.
“Time Won’t Let Me Go” is about looking back at your life and longing to go back a change the things we regret.
“The Ocean” a mix of strings and acoustic guitars speaks to a love that got away and how the ocean rows them away.
A determined Senator Hillary Clinton today refused to drop out of the race for the Democratic presidential nomination and instead revamped her campaign strategy to focus on the upcoming West Virginia primary.
Appearing at a rally in Morgantown, West Virginia, the Senator announced, “This race is about something bigger than my ego. What’s bigger than that? It’s so big that I dare not speak Its name aloud, but y’all know what I mean.”
Sporting a new look, the Senator wore overalls and had two front teeth missing, and the newly energized candidate repeatedly poked her corncob pipe at the audience to emphasize her points.
“Ah’m a straight shooter,” she said. “My daddy taught me how to shoot straight when I was a little girl, and when ah’ve said in the past that ah’m for gun control, ah meant controlling yer aim. Ah represent the common folk. Mah opponent wants to make you pay more and more money for gasoline, but ah want to give you all a rebate this summer, and that’ll help you out no matter what the pointy-headed intellectuals in Washington say. And I say, let’s get the job done in Iraq, but let’s get the job done right.”
Later that day the Senator appeared at the University of Oregon, where another primary is scheduled later this month. Discarding her overalls and corncob pipe and appearing with new teeth, wearing a sensible business suit, and using a pointer, the Senator answered questions from the students and faculty.
Addressing the concerns of Oregonians about the deteriorating environment, the Senator noted that just the other day she had gone to Washington’s Zoo to look at the panders.
“We’ve got to do something to save them and everything else,” she said, “And I’m going to bring together the energy industry and common people to find a solution that balances economical and environmental concerns.”
Asked by a professor of Latin what her favorite book was, the Senator replied, “Pander’s Odes.”
And appealing for a more civil and calmer primary election, she decried “the panderonium that’s been taking place.”
Sicily, 1999. Marta Collica and Hugo Race created Sepiatone to experiment with ‘solar’ sounds. Inspired by the mystique of old European films (Godard, Bertolucci, Antonioni, etc.) and using found materials like retro samples and major sevenths, they gradually discovered their own feel between dreams and desperation. Working with friends like DJ Stefano Ghittoni and Cesare Malfatti from acid-jazz-tinged Dining Rooms (Guidance Records in the U.S.), Riccardo Gerbino and Giovanni Arena from the folkloric Sicilian band Dounia, and Giovanni Ferrario, leader of the Italian avant-pop group Micevice, Hugo and Marta delivered two classic albums: "In Sepiatone" (2001) and "Dark Summer" (co-produced with the Bad Seed’s Mick Harvey). Now signed to Chicago label Minty Fresh Records, their US debut “Introduction to Sepiatone”, containing selected cuts from the first two albums.
SEPIATONE creates a timeless pop music that merges sonic textures of Euro-sounds of the 60s and 70s with a contemporary cutting-edge feel. In "Dark Summer", Sepiatone fused genres and time zones, bittersweet summer feelings and hallucinatory mood swings, juxtaposing nostalgia with the present in a fashion both totally unique and truly modern. The soulful, seductive Sepiatonic sound is the fruit of a collaboration between Italian singer and songwriter MARTA COLLICA and Australian artist HUGO RACE.
Sepiatone - "Green House"
Sepiatone’s live shows have blown away European audiences with the duo’s soulful minimalism and psychedelic undertow. Marta and Hugo’s vocals compliment the sonic mesh of layered guitar and piano. This style hints at the expanded arrangements of their recent studio recordings where gurus of orchestration such as Phil Spector and Billy Strange are subtly referred to in the context of the duo’s original combination of soul and songwriting.
Meanwhile, Hugo and Marta returned to the studio in Berlin to continue working on their third album, provisionally entitled “Echoes On”.
Marta began singing with the Australian-Italian group Micevice (1997), and along with playing with Hugo's ‘musical collective’ The True Spirit, is a key member of the new solo project of UK producer John Parish (PJ Harvey, Eels). The John Parish Band recently released the group's debut “Once Upon a Little Time” through Thrill Jockey (USA). Marta plays piano, rhodes, hammond, synth, and likes to explore a wide range of electronic and analogic sounds; her original style combines minimal arrangements and a unique kind of playing, stumbling unpredictably between delicacy and distortion.
Critics compare Francoise Hardy and Julie Cruise to describe the unmistakable character of Marta's voice with it's "Indifferent intensity", evoking the slightly disquieting atmosphere of a road movie in slow motion. She also appeared on recordings by The Dining Rooms, Pola, and Italian singer/songwriter Cesare Basile. Marta founded the European "Super Group" Songs With Other Strangers in 2004, a creative encounter between a diverse group of international songwriters and musicians. She finished her first solo album, "Pretty and Unsafe" which debuted in February 2007 and received a warm and enthusiastic feedback from audiences and press. (More: www.sepiatone.netwww.myspace.com/martacollica Hugo is a prolific and visionary performer, songwriter and producer. First introduced to the international stage as a teenage founding member of Nick Cave's Bad Seeds, he left that band and found the seminal Australian garage-blues cult band The Wreckery. Following that demise he moved to Europe in 1988 with his solo project Hugo Race + True Spirit. Hugo is perceived as a cult figure, unpredictable, brilliant and inspired. Within the last 3 years, he released a stream of albums: the elegant trip-hop of Sepiatone’s “Dark Summer”; the ambient abstraction of Transfargo’s “Mil Transit”; the psychedelic Italian montage of “Merola Matrix”; the raw cosmic blues of the True Spirit’s “Ambuscado” (2005) and “Taoist Priests” (2006). In April 2008, Hugo and True Spirit released their collective masterpiece, the double album “53rd State” (in Europe through Glitterhouse and Bang! Records, in Australia through Spooky Records). In late 2007, Hugo, together with Chris Brockaw (Thurston Moore, Come) and Chris Eckman (The Walkabouts, Chris & Carla), released the debut album of their ‘acoustic’ project Dirtmusic.
Mike has actually been called, “The World’s Funniest Guitar Virtuoso.” (He’d settle for Cleveland’s Funniest Guitar Virtuoso but... whatever). Mike currently performs over 120 shows per year, and cuts from his “Mike Rayburn at Carnegie Hall” CD are in current rotation on XM Comedy, Sirius Comedy, and on countless morning radio shows nationwide.
Concert promoter Mark Johnson described him like this: “If Victor Borge played guitar (and drank too much coffee), he’d sound like Mike.” The Aspen Daily News raves, “A comic genius... enough wit and talent to jumpstart a pacemaker.”
Mike is an hilarious stand-up comic. His “Questions” bit and self-effacing commentaries are funny and wonderfully-warped. But what sets him apart is his masterful guitar work.
Mike is also known for combining musical artists and styles in ways God never intended. “Bob Marley sings Garth Brooks.” “Led Zeppelin sings Dr. Seuss.” “Dan Fogelberg sings AC/DC,” “Bruce Springsteen sings Green Acres,” etc.
Putting his guitar skills to work, Mike is taking on a new challenge: instrumental comedy. His first piece in this genre appears on his live “Mike Rayburn at Carnegie Hall” CD. Entitled “Hang The Jury,” it is a piece said to have been performed for his classical guitar juries (final exams) in college, just to find out if his music professors were really listening.
We caught up with Mike for a candid Q&A.
CWG: What were you doing before you were funny?
Working my way out of a womb. I think it was my Mom's. Actually, I was driving a forklift.
CWG: Tell us about how you came up with your act.
Drunk people. I was studying classical guitar during the day and playing bars at night fielding drunken requests... when you do that for nearly 2000 gigs you develop either a sense of humor or a drinking problem. I'm working on the sense of humor.
Actually, it's a rather convenient personality disorder. I've always liked putting things together God never intended just to see what happens. As a baby I put my bottle in my diaper and Dad said, "That's my boy!" And when you can turn a personality disorder into a career, you've got something going.
Like if I was Sybil I'd be freakin' rich. (There's an old reference).
CWG: Public figures get all the girls… musicians get all the girls… if you're taking all our girls (as by this logic, being a public speaker and a musician, you're getting 100% of every girl you meet) how do the rest of us non-musician/public speakers get girls?
You seem nice enough, how about I share? But only after you download a bunch of my bits (I'm cheap but not free). But really, who wants EVERY woman he meets, Bill Clinton notwithstanding?
Secondly, and truthfully now, all those woman got rolled into one whom I married (you think I don't know she reads this stuff?). I'm getting by just fine.
CWG: What was the first guitar you ever bought?
Bought? A 1973 Martin D-28.
Was given? 1973 Yamaha FG-160.
Best one I own? 100% original 1959 Strat.
One I play most often? A BEAUTIFUL 2003 Taylor Limited Edition 614 (pictured on my homepage).
Rick Ross is still at number one. Prodigy (a member of Mobb Depp) comes in at number two with his third album H.N.I.C. Part 2. A bonus track on the album "Dirty New Yorker" is on the soundtrack to Grand Theft Auto IV. Rap group Atmosphere enters the top ten with their album When Life Gives You Lemons, You Paint That Shit Goldand Scarface's greatest hits also debuts in the top ten.
Masters of styles is the first phrase that comes to mind after hearing Skamper’s new album, “Thunderbeast.” Seemlessly blending aggressive electronica with Killers-style indie rock, this album is an experimental delve into sound.
“Thunderbeast” was almost scrapped by its creator, singer Lawrence Lewis, but luckily a new mix brought the album to life and put it on our desk.
“Afterlife,” the album’s lead track, starts off with heavy synth, and seamlessly rolls into a rock opus. A lot of times bands can’t quite make electronica work with alternative, but this song breaks that mold in a great way.
“Evacuate” is a guitar-infused goth song about an insane person, reminiscent of Placebo and The Cure.
“Garden” reminds me of God Lives Underwater, starting slow and gradually transitioning into a ‘garden’ of distortion.
“It’s Blue” is a slow/cerebral song that bursts into the punk-infused “Ladyfingers.” Definitely a cool pairing.
“Number 9” is a B-52-influenced space-rocker. If I was blasting through the galaxy in a rocketship, this is the song I would be blaring to ward off extra-terrestrials. “Number 9” goes hand-in-hand with the experimental, “Planet Boy.”
What happens when you mix 30 Seconds to Mars with Muse? You end up with “Starbird,” a fluttery song that brings Grunge into the new millennium.
“Thieves” takes what A Perfect Circle did in “Thinking of You,” mixing porn rock with 90s alternative. Definitely worth checking out.
The journey comes to an end with “Two Feet, By Two Feet” and “Whistleblower.” Whistleblower jams slowly as it lands us back on earth, spinning from the journey into space Skamper just took us on.
Skamper – “Whistleblower” _________________________________________ Interview: Mixed by Jason Grossman (Flogging Molly, Thrills) Thunderbeast is Skamper’s new release, slouching toward Bethlehem to be born on a bed of sonic chunk and melodic noise. The band was born in 2001, with head maestro, founding member and songwriter Lawrence Lewis as the vortex that draws everything near its center – members and ingredients changing as the stew continues to take on strange new flavors. The one constant, musician and artist Devon Paulson is the perfect musical compliment to Lewis’ idiosyncratic imagination, and Thunderbeast does not fail to deliver a punch of sonic substance and intrigue. You could describe their sound as glitter-punk-cronk-choas but handles don’t really do it justice. Lawrence has been cooking up these fascinating brews for the last few years in a Silverlake closet, and Phillip Haut (The Centimeters, Listing Ship, Veronica Lipgloss and the Evil Eyes) did the recording honors. But the albums’ mixes were scrapped just before mastering, and Jason Gossman (The Thrills, The Rumble Strips, Sondre Lechre, Flogging Molly) stepped in to lend a new set of ears and a masterful remix.
Some songs feel like beds of keenly constructed noise and feedback, cradles for melodies that sit tightly while they ride the waves. Others feel more like primal noise jelly and will drive you to jump up and rock your spasmodic body into blissful seizures. Internet and indie airwaves, get ready. Those of you hungry for a new aural ear-bang, be ready. This is one beast you’ll definitely want to meet on a dark street.
We ran into Lawrence Lewis, and threw a few questions at him. Enjoy!
CWG: Silverlake is a pretty diverse area. Would you say that living there has had an influence on the diverse sounds of Skamper?
It's quite possible, but not in a musical way. I don't feel any connection to the music scene in Silverlake, but I'm sure the city in general has influenced me to some degree. I started the band when I was living in London so it's quite possible that there are some influences from other places in the world.
Also, I feel that my scattered little brain has fallen in love with so many different genres of music that it's all come through in what I write. I love dark and ugly, happy and poppy, moody, frenetic... I think it just depends on my mood that day and what or whom I'm writing about.
This album ended up being sort of a reflection of my interpersonal relationships to some extent. You could almost say that each song is about a specific person, or a specific exchange or encounter with someone I know, and since people in general are quite diverse, and our moods as humans are quite diverse and can be a bit twisted or jagged, I think the songs took on those qualities.
CWG: Who are some of your musical influences?
I'm never good at answering this question... I always feel that the things that influences us as people and artists is a bit unknown to us... they operate in the subconscious level rather than in the subjective mind. Or at least they should.
I try to stay away from listening to bands or music I like and steering my songs into those directions. That wouldn't be an influence, that would just be copy